Saturday, April 25, 2026, 7:30pm

Rosedale United Church
159 Roxborough Dr, Toronto, ON M4W 1X7
$20 or pay-what-you-can at the door (Cash/Card)

Program

Overture to Candide (1956) 5'
Leonard Bernstein (1918-1990)

Arranged by Blake Smith
Short Stories (1995) 9'
Jennifer Higdon (b. 1962)
I. Summer’s Eve (5')
V. Stomp & Dance (4')
Primavera Porteña (1970) 6'
Astor Piazzolla (1921-1992)
Introduction et Rondo Capriccioso (1863) 10'
Camille Saint-Saëns (1835-1921)

Arranged by Blake Smith
Soloist: Zachary Costello, Conductor: Yunfei Xie
INTERMISSION 10'
Pictures at an Exhibition (1874) 35'
Modest Mussorgsky (1839-1881)

Arranged by Blake Smith
Zachary Costello

Featured soloist: Zachary Costello

American saxophonist Zachary Costello has been recognized for performances that combine technical mastery with cultural resonance and immersive audience experiences. Born in South Korea and raised near Washington, D.C., he has performed extensively throughout the United States, South Korea, and Europe, captivating audiences with programs that blend classical masterworks, contemporary repertoire, and innovative new commissions. He was named a Yamaha Young Performing Artist and has the Young Artist Award and the Grand Prize at the Naftzger Young Artist Competition, as well as Second Prize at the 2025 Vandoren Emerging Artist Competition. He was a finalist and prizewinner at the Andorra Saxfest International Saxophone Competition, performing with the National Classical Orchestra of Andorra, and has been recognized as a prizewinner in the Music Teachers National Association National Solo Competition. He also received the Hans Schaeuble Award in Switzerland in 2022, and performed as a soloist and chamber musician at the Arosa Winter Music Festival. Earlier in his career, he was honored as a YoungArts Winner.

A committed advocate for new music, Costello leads the commissioning project Echoes Beyond the Peninsula, collaborating with five composers of Korean and Korean-American descent to create chamber works that merge the saxophone with Korean traditional and folk music. The premieres of these works are scheduled for spring 2026. He is also collaborating with composer Dr. Jiyoun Chung on a new concerto for saxophone and wind ensemble, which will be performed by a consortium of more than 25 collegiate and professional wind ensembles across the United States. These projects reflect his dedication to expanding the saxophone repertoire while championing underrepresented voices.

As a chamber musician, Costello is the soprano chair of PULSE, an award-winning saxophone quartet recognized with the Lift Every Voice Prize at the Fischoff National Chamber Music Competition and First Prizes at the Glass City and NOLA Chamber Music Competitions. He is also a founding member of Project NOVA, a saxophone ensemble that performs fully memorized and choreographed original and arranged repertoire, redefining the concert experience.

He serves as an Artist Ambassador for JLV Sound and has participated in masterclasses with Vincent David, Lars Mlekusch, Christian Wirth, Timothy McAllister, Mariano Garcia, Otis Murphy, Christopher Creviston, and Stephen Page. Costello holds a Bachelor of Music from Michigan State University and is pursuing a Master of Music at the Eastman School of Music. He also serves as Adjunct Instructor of Saxophone at Alfred University.

Musicians

Kannan Bloor

Kannan Bloor

Tenor

Min Gu Kang

Min Gu Kang

Co-founder of TSC
Baritone/Bass

Blake Smith

Blake Smith

Alto/Baritone

Justin Massey

Justin Massey

Soprano

Dr. Jeffrey Leung

Dr. Jeffrey Leung

Soprano

Nikki Carson

Nikki Carson

Soprano

Chantelle Tom-Ying

Chantelle Tom-Ying

Alto

Chun Wang

Chun Wang

Alto

Robert Hess

Robert Hess

Alto

Harrison Argatoff

Harrison Argatoff

Tenor

Benjamine Liu

Benjamine Liu

Tenor

Charlette Chau

Charlette Chau

Tenor

Seamus Hayden

Seamus Hayden

Baritone

James Wu

James Wu

Guest Conductor

Christopher Jones

Christopher Jones

Founder of TSC

Yunfei Xie

Yunfei Xie

Co-founder of TSC

Amiel Ang

Amiel Ang

Percussion

Program Notes

Leonard Bernstein, Overture to Candide

Leonard Bernstein’s Overture to Candide is a five-minute sprint. When he adapted Voltaire’s famous 1759 satire, a story about a hopelessly optimistic guy surviving an endless string of ridiculous, catastrophic disasters, Bernstein wrote a curtain-raiser that is pure, chaotic joy. It doesn't waste a single second, launching straight into a massive fanfare before flying through the show's catchiest tunes at breakneck speed.

If you listen closely, you can hear the humor written right into the music. Bernstein constantly throws in unexpected accents, huge leaps, and shifting time signatures to keep both the musicians and the audience slightly off-balance.

Originally orchestrated to demand sharp precision from the strings and woodwinds, adapting this rapid-fire work for a saxophone collective highlights the instrument's unique acoustic design. The saxophone was invented specifically to enhance the woodwind and brass instruments in military marching bands, making it exceptionally well-suited to handle Bernstein’s dramatic shifts in texture. In this arrangement by Blake Smith (on the bass saxophone), the upper voices execute the complex technical acrobatics with woodwind-like agility, while the full ensemble provides the bold, resonant power necessary for the climactic theatrical fanfares.

Jennifer Higdon, Short Stories

COMING SOON

Astor Piazzolla, Primavera Porteña

COMING SOON

Camille Saint-Saëns, Introduction et Rondo Capriccioso

COMING SOON

Modest Mussorgsky, Pictures at an Exhibition

Modest Mussorgsky penned Pictures at an Exhibition as a memorial tribute to his close friend, the artist and architect Viktor Hartmann, who died suddenly at the age of 39. Devastated by the loss, Mussorgsky attended a posthumous exhibition of Hartmann’s sketches, stage designs, and architectural models. Inspired, he composed this sweeping suite to musically illustrate a stroll through that very gallery.

The work is unified by the recurring "Promenade" theme, representing the composer himself thoughtfully wandering between the artworks. The "pictures" themselves vary wildly in character—from the eerie, lumbering oxcart in Bydlo, to the frantic, pecking woodwinds in the Ballet of Unhatched Chicks, to the terrifying flight of the witch Baba Yaga, culminating in the massive, glorious ringing chords of The Great Gate of Kiev.

Originally composed as a tour de force for solo piano, Pictures was never orchestrated by Mussorgsky himself, a casualty of his notoriously poor time management. This left a brilliant blank canvas, giving future composers and arrangers the opportunity to interpret the vivid colors and textures he might have had in his mind. As a result of these various interpretations, some of the specific markings in Mussorgsky's original piano score were intentionally or unintentionally changed over the years. Notably, many of the attacca markings (directives to transition between movements without pause) were omitted from popular orchestral arrangements, such as the famous version by Maurice Ravel. While this might partially be a necessary concession to the physical and technical limitations of traditional orchestral instruments, it is not an issue for the saxophone. With the agility and homogeneous blend of the Toronto Saxophone Collective, these original, seamless transitions are restored. The result is a performance that honors the unbroken pacing and intimacy of Mussorgsky's original gallery tour, while still delivering the immense, symphonic power of a full orchestra.

Land Acknowledgement

We acknowledge the land we are meeting on is the traditional territory of many nations including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples and is now home to many diverse First Nations, Inuit and Métis peoples. We also acknowledge that Toronto is covered by Treaty 13 with the Mississaugas of the Credit.